Rasin Lakay features Andre Eugène

Kowona Kwonik–Chronicle of Corona

Andre Eugène, Haitian artist, co-director of the Ghetto Biennale and one of the founders of Atis Rezistans, reveals how he makes work using local carving skills and the creative addition of recycled materials. At the same time he, and other members of Atis Rezistans, reflect on the effect of the worldwide Coronavirus pandemic has affected their lives.

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Andre Eugène was born in downtown Port-au-Prince in 1959. He is a leading figure in the artists’ collective known as Atis Rezistans and a broader movement known as the Sculptors of Grand Rue. Eugène fused the fetish effigy with an apocalyptic MTV futuristic vision. Much of his work is figurative using human skulls for heads and imbued with a bold sense of irony, sexuality and humour. In 2006 Andre Eugène contributed to a large-scale collective sculptural work, which is a permanent exhibit at the International Museum of Slavery in Liverpool. His work has been shown at the Muesum of Ethnography, Geneva; at the Parc de la Villette, Paris; the Fowler Museum, UCLA, Los Angeles; Nottingham Contemporary, UK and at the Grand Palais, Paris. His work was included in the Haitian Pavillions at the 54th Venice Biennale. Andre Eugène is the co-director of the Ghetto Biennale, which has been held in Port-au-Prince since 2009. In 2015 Andre Eugene and his partner, Leah Gordon, were the recipients of the Colección Patricia Phelps de Cisneros Travel Award for Central America and the Caribbean

Find out more about Andre’s work by following the Ghetto Biennale channels: Instagram | Website

 

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