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DTSTART;TZID=America/New_York:20260502T160000
DTEND;TZID=America/New_York:20260502T180000
DTSTAMP:20260512T152559
CREATED:20260422T175213Z
LAST-MODIFIED:20260423T162150Z
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SUMMARY:Vizyon Atistik | An n Pale | What Paper Remembers: Marks\, Memory and Labor
DESCRIPTION:Join us for this in-person conversation with featured artists of What Paper Remembers: Marks\, Memory and Labor.\nThis event is part of the Vizyon Atistik public programming for What Paper Remembers: Marks\, Memory and Labor on view until June 7\, 2026. \nMay 2\n4–6pm\nHaiti Cultural Exchange\n35 Lafayette Ave. Brooklyn\, NY \n— \nAbout the Exhibition \nThrough drawing\, printmaking\, collage\, and mixed media\, the exhibition considers paper as a material that carries memory\, labor\, and cultural continuity. Paper absorbs gesture records pressure and hesitation\, time\, revision and return\, while holding traces of the hand and the persistence of ideas.  Centering practices shaped by embodied knowledge and movement across place\, the exhibition affirms paper not as a provisional surface\, but as one that remembers and endures. \nCurated by HCX fellow Yvena Despagne and Executive Director Régine M. Roumain. \n—\nFeatured Artists \nSally Yolaine Binard | Ani Brutus | Jennica Drice | Mel Isidor | Nathalie Jean-Baptiste | Rejin Leys | Julie Rouzier Mevs | Vané Russo \n—\nLearn more about the exhibition and artists here » \nJoin the artists & curators for other activations taking place as part of this exhibition » 
URL:https://haiticulturalx.org/event/vizyon-atistik-an-n-pale-what-paper-remembers-marks-memory-and-labor/
LOCATION:Haiti Cultural Exchange\, 35 Lafayette Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:An n Pale,Vizyon Atistik
ATTACH;FMTTYPE=image/png:https://haiticulturalx.org/wp-content/uploads/2026/04/HCX_FY26_VizyonAtistik_Paper_Website_Graphic_ANNPALE_MAY2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260329T140000
DTEND;TZID=America/New_York:20260329T190000
DTSTAMP:20260512T152559
CREATED:20260227T175150Z
LAST-MODIFIED:20260303T221605Z
UID:18164-1774792800-1774810800@haiticulturalx.org
SUMMARY:An n Pale | Mini-Jazz: An Immigration Story with Hervé Sabin
DESCRIPTION:In this interactive salon\, reimagine the classic Haitian immigrant living room: sofas covered in squeaky plastic protecting the fabric below\, the ceramic decorations and the photo albums and the China and the bars with Rhum Barbancourt\, crémas\, Manischewitz\, and tranpe lined up in a neat row. In the corner of the room: a record player.\nScholar\, archivist\, and artist Hervé Sabin brings us together to reminisce on iconic musical genres of mini-jazz and konpa direk and how they made their way to Brooklyn in our suitcases\, bals\, and right here in recording studios across the US.  \nFor this session\, serenade us with your memories of Haitian mini-jazz as we listen to vinyls from the Ace Frape collection of Jean H. Marcelin and Hervé Sabin’s inherited collections from Montreal\, New York\, Miami\, and Port-au-Prince.  \nPatrice Espérant joins as the afternoon’s DJ to keep the vinyl spinning! \nWe welcome you to sit a while\, listen to a few of iconic albums\, and share stories of home – old and new. \nSunday\, March 29\, 2026\n2-7pm\nHaiti Cultural Exchange\n35 Lafayette Ave  BK\, NY 11217 \n2pm: Welcome & Flip through Marcelin & Sabin’s Records Archive. Sign up to share your Mini-Jazz music memory!\n2:30pm: Story Sharing with Hervé Sabin & Patrice Espérant\n3-7pm: Community Story Sharing Cycles  \n—\nAbout Orchestre et Mini-Jazz: An Immigration Story Through Music by Hervé Sabin \nDuring the late sixties compas direct/konpa direk which was founded in July 1955 by Nemours Jean-Baptiste* began transforming from a big band orchestra format to a more compact unit of five to eight  members called Mini-Jazz. To this very day most Haitians refer to a compas band as jazz la or the Jazz!   \nThe bands developed structures and distinct sounds. The typical instruments were electric guitars\, bass\, drums\, keyboard\, and sometimes brass instruments like saxophones and trumpets. The electric guitar was dominant with intricate solos. Mini-Jazz retained Compas’ distinctive rhythm of steady beat and syncopated bass lines\, played at a faster tempo danceable groove.  \nThey were from various neighborhoods in Port-au-Prince and other Haitian cities. In Port-au-Prince\, certain bands were known as king of their neighborhood: Les Shleu Shleu were in Bas-Peu-de-Chose; Les Fantaisistes were from Carrefour; in Petionville the bands Les Difficiles which became Les Gypsies\, Tabou Combo which was born from Los Incognitos\, Les Frères Dejean\, Choupa Choupa all dominated the hills of Carrefour Feuille. \nThe early seventies saw many bands emigrating to the United States in parallel with the great migration spurred by the entrenchment of the Duvalier regime. They settled predominantly in the northeast where Tabou Combo had established itself and became an international superstar (even adding Superstars to the name of the band). They did it with hits such as “New York City”\, “Juicy Lucy”\, “Chercher la Femme” and “Let’s Dance” which married funk\, early hip hop\, and Compas to create a hybrid sound representing the era. The city of Boston hatched Volo Volo de Boston and Djet-X\, both products of migration. \nHere in New York City\, Prospect-Lefferts\, Flatbush and Crown Heights became the epicenter of the Haitian migration. Franklin\, Nostrand\, and Flatbush Avenues became the hubs where many record labels erected domicile.  Geronimo records\, Marc records\, Mini Records and Fred Paul were the big players. Albert Chancy from Tabou Combo started Chancy Records which became at one point the label for the band. \nThis project looks to tell the parallel stories of a musical genre\, its transformation along stories of migration that transformed neighborhoods in cities on both sides of the Atlantic in the US and Haiti. It looks at the lives of Haitian in the US and Haiti\, particularly their connections to the music and how Haitian urbanism was been shaped by political and economic immigration. \n*The famous Sicot vs Nemours konpa direk origin story battles with Sicot developing a nuanced merengue style called Cadence or Cadence Rampa and Nemours having created a more direct 1\,2 rhythm.
URL:https://haiticulturalx.org/event/an-n-pale-mini-jazz-an-immigration-story-through-les-shleu-shleu-with-herve-sabin/
LOCATION:Haiti Cultural Exchange\, 35 Lafayette Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:An n Pale
ATTACH;FMTTYPE=image/png:https://haiticulturalx.org/wp-content/uploads/2026/02/HCX_FY26_Web_Event_Feat_minijazz.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260328T160000
DTEND;TZID=America/New_York:20260328T180000
DTSTAMP:20260512T152559
CREATED:20260218T215755Z
LAST-MODIFIED:20260320T155326Z
UID:18150-1774713600-1774720800@haiticulturalx.org
SUMMARY:Vizyon Atistik | Closing Reception: Jakmèl: The Unveiling of Kanaval
DESCRIPTION:Kanaval season wraps at HCX! Join artists and curators for a special night of rara\, light refreshments and a last look at Jakmèl: The Unveiling of Kanaval. Special performance by Bacheler Jean-Pierre.\nThis event is part of the Vizyon Atistik public programming for JAKMÈL | The Unveiling of Kanaval on view until March 29\, 2026. \nSaturday\, March 28\n4–6pm\nHaiti Cultural Exchange\n35 Lafayette Ave\, Brooklyn NY \n—\nAbout The Exhibition \nJAKMÈL | The Unveiling of Kanaval is more than a celebration\, it is a living archive of survival stories\, memory\, and self-expression. \nLearn more about the exhibition and artists here »\nJoin the artists & curators for other activations taking place as part of this exhibition »  
URL:https://haiticulturalx.org/event/jakmel-closing-reception/
LOCATION:Haiti Cultural Exchange\, 35 Lafayette Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:An n Pale,Vizyon Atistik
ATTACH;FMTTYPE=image/png:https://haiticulturalx.org/wp-content/uploads/2026/01/HCX_FY26_Web_Event_Feat_JAKMEL_1.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260314T150000
DTEND;TZID=America/New_York:20260314T170000
DTSTAMP:20260512T152559
CREATED:20260218T215056Z
LAST-MODIFIED:20260310T140409Z
UID:18142-1773500400-1773507600@haiticulturalx.org
SUMMARY:Vizyon Atistik | An n Pale with Steven Baboun\, Tania L. Balan-Gaubert\, Bacheler Jean-Pierre\, Christina Rateau\, and Kedler St-Hilaire (Virtual)
DESCRIPTION:Join this virtual conversation with featured artists of the current exhibition Jakmèl: The Unveiling of Kanaval on view now in the HCX: Steven Baboun\, Tania L. Balan-Gaubert\, Bacheler Jean-Pierre\, Christina Rateau\, and Kedler St-Hilaire. \nThis event is part of the Vizyon Atistik public programming for JAKMÈL | The Unveiling of Kanaval on view until March 29\, 2026. \nSaturday\, March 14\n3–5pm\nVirtual. Register for the webinar here »  \n—\nAbout The Exhibition \nJAKMÈL | The Unveiling of Kanaval is more than a celebration\, it is a living archive of survival stories\, memory\, and self-expression. \nLearn more about the exhibition and artists here »\nJoin the artists & curators for other activations taking place as part of this exhibition »  
URL:https://haiticulturalx.org/event/vizyon-atistik-an-n-pale-virtual/
LOCATION:NY
CATEGORIES:An n Pale,Vizyon Atistik
ATTACH;FMTTYPE=image/png:https://haiticulturalx.org/wp-content/uploads/2026/01/HCX_FY26_Web_Event_Feat_JAKMEL_1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260307T160000
DTEND;TZID=America/New_York:20260307T180000
DTSTAMP:20260512T152559
CREATED:20260216T202638Z
LAST-MODIFIED:20260227T191933Z
UID:18133-1772899200-1772906400@haiticulturalx.org
SUMMARY:Vizyon Atistik | An n Pale with Steven Baboun\, Charles Philippe Jean-Pierre\, and Lori Martineau
DESCRIPTION:Join this in-person conversation with featured artists of the current exhibition Jakmèl: The Unveiling of Kanaval on view now in the HCX: Steven Baboun\, Charles Philippe Jean-Pierre\, and Lori Martineau.\nThis event is part of the Vizyon Atistik public programming for JAKMÈL | The Unveiling of Kanaval on view until March 29\, 2026. \nSaturday\, March 7\n4–6pm\nHaiti Cultural Exchange\n35 Lafayette Ave. Brooklyn\, NY \nLimited capacity\, RSVP strongly suggested.\nSeating first come\, first served. \n—\nAbout The Exhibition \nJAKMÈL | The Unveiling of Kanaval is more than a celebration\, it is a living archive of survival stories\, memory\, and self-expression. \nLearn more about the exhibition and artists here »\nJoin the artists & curators for other activations taking place as part of this exhibition »  
URL:https://haiticulturalx.org/event/vizyon-atistik-an-n-pale-with-steven-baboun-tania-l-balan-gaubert-charles-philippe-jean-pierre-and-lori-martineau/
LOCATION:Haiti Cultural Exchange\, 35 Lafayette Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:An n Pale,Vizyon Atistik
ATTACH;FMTTYPE=image/png:https://haiticulturalx.org/wp-content/uploads/2026/01/HCX_FY26_Web_Event_Feat_JAKMEL_1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260117T180000
DTEND;TZID=America/New_York:20260117T210000
DTSTAMP:20260512T152559
CREATED:20251219T174813Z
LAST-MODIFIED:20251219T203708Z
UID:17840-1768672800-1768683600@haiticulturalx.org
SUMMARY:An n Pale with ALASO #6: Mati [Martyr] Contributors
DESCRIPTION:NÈGÈS MAWON and Haiti Cultural Exchange are pleased to host the U.S. launch of ALASO’s sixth issue. This new edition is titled “Mati” (Martyr). ALASO is a trilingual publication in Haitian Creole\, French\, and English. It serves as a space for feminist expression and dialogue\, promoting the production of critical thought\, debate\, and analysis to make feminist ideas accessible in various formats and modes of dissemination. At the event\, the sixth issue of ALASO will be available in both Haitian Creole/French and Haitian Creole/English editions. Previous issues of ALASO will also be available for purchase.\nSaturday\, January 17\, 2026 | 6-9pm\n6-7pm: Reception\n7pm: An n Pale and Q & A with ALASO #6 contributors \nThis launch will feature a discussion with:  \n\nGaëlle Bien-Aimé: Writer\, actress\, and one of the reviewers and translators for ALASO. Her work contributes significantly to the literary and feminist landscape in Haiti through storytelling\, humor\, and critical thought.\nAna María Belique: Sociologist\, activist\, and founding leader of Reconocido\, a movement mobilizing Dominicans of Haitian descent in the struggle for equality and citizenship rights. Her activism centers on restoring nationality rights to those affected by Ruling 168-13 of the Dominican Constitutional Court (2013) and advancing the social and political empowerment of communities of Haitian descent\, especially those living in bateyes.\nPascale Solages: General Coordinator of NÈGÈS MAWON \nFania Noël: Afro Feminist writer\, sociologist\, and publication director of ALASO. \n\n— \nAbout ALASO #6: Mati [Martyr] \n“Martyr\,” the word gracing this sixth issue of ALASO\, is often used to describe a defenseless victim. Here\, however\, this body of contributors engage the term in its political context. The theme draws from liberation theology—evoking the martyrdom of Jesus—but also from decolonial and Third World liberation movements. \nThe intention is not to be hyperbolic\, avoiding what Hortense Spillers describes as a pornotrope. Instead\, throughout this issue\, “martyr” becomes an analytical framework to examine lives made indispensable through capitalist\, patriarchal\, and supremacist exploitation—alongside their resistance\, their attachment to the land\, and the relationships fiercely targeted by these systems. \nThis edition inaugurates a new rubric Menm Nou Menm Lan (We Remain)\, featuring contributions from Black feminists worldwide. The first contribution comes from Sudan: The Noon Collective reflects on the war in Sudan and its connection to global patterns of exploitation\, militarization\, and anti-Black racism. As in Haiti and the Congo\, Sudanese women’s bodies remain sites of ongoing genocide. \nThe issue also offers a moment of historical reflection with a summary of feminist activist Danièle Magloire’s seminar at CFEGES\, revisiting the history of the Haitian feminist movement—a trajectory marked by martyrdom and “martyrization.” It continues with an analysis of anti-Haitianism at the core of Dominican national identity\, explored by Ana Belique and grounded in Milagros Ricourt’s work The Dominican Racial Imaginary. \nAs always\, ALASO remains a space for emerging feminist voices\, featuring the three winning texts from our open call for contributions: “Our Walls of Wind” by Stéphana Dorval\, “In the Border Lespwa” by Katiana Altiné\, and “For Eliana!” by Emma Clésca. The issue concludes with an interview with singer Vanessa Jeudi. \nLearn more about the ALASO Anthology here » \n— \nAbout An n Pale \nAn n Pale | Let’s Talk is an ongoing series of artist talks featuring conversational encounters with artists engaged with issues connected to Haiti and the Diaspora.
URL:https://haiticulturalx.org/event/an-n-pale-with-alaso-6-mati-martyr-contributors/
LOCATION:Haiti Cultural Exchange\, 35 Lafayette Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:An n Pale
ATTACH;FMTTYPE=image/png:https://haiticulturalx.org/wp-content/uploads/2025/12/HCX_FY26_Web_Event_Feat_Alaso6.png
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