Haiti Cultural Exchange

Vizyon Atistik | Collage Workshop with Mel Isidor
2026-06-07 14:00 - 16:00 (America/New_York) | Haiti Cultural Exchange, 35 Lafayette Ave, Brooklyn, NY, 11217, United States
In this participatory workshop, join exhibiting artist Mel Isidor to discover the art of collage in this engaging, beginner-friendly workshop designed to spark imagination and experimentation. Using a mix of found materials, papers, images, and textures, you’ll learn how to layer and compose elements into a visually compelling piece that reflects your personal memory.
Participants will be guided through a short introduction to the history of collaging and an overview of key techniques and approaches. With guided support throughout, you’ll explore composition, color, and storytelling as you cut, arrange, and assemble your own original collage. Emphasizing creativity, play, and self-expression, this session invites you to loosen up, try new ideas, and enjoy the process of making something uniquely yours.
Register for this workshop here »
Registration includes a complementary beverage & light refreshments.
Limited capacity, RSVP required.

Sunday, June 7
2–4pm
Haiti Cultural Exchange
35 Lafayette Ave. Brooklyn, NY
This event is part of the Vizyon Atistik public programming for What Paper Remembers: Marks, Memory and Labor on view until June 7, 2026.

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About the Instructor

Mel Isidor is a Haitian-American mixed-media artist, designer, and urban planner based between Seattle, WA, and Boston, MA. Her work draws inspiration from the built environment, exploring how cities reveal the relationship between people and culture. Mel holds a Master’s in City Planning from MIT and a B.A. in Urban Studies from Brown University—a foundation that brings a philosophical and analytical lens to her practice, shaping both how she sees the world and how she translates that understanding through to her compositions. Her artistic practice combines photography and collage to create layered compositions that merge realism and abstraction—physically and metaphorically connecting different moments in time and space. Using imagery from her own photography, family archives, and public records, she builds scenes grounded in memory and heritage that reimagine familiar geographies through a speculative lens.
Mel also leads Isidor Studio, her design practice dedicated to the intersections of art, design, and urbanism. Across both her art and studio work, she transforms research and observation into visual narratives that deepen our understanding of place and the everyday materiality that shapes it. Her work has been exhibited across the United States through galleries and public installations in Boston, Seattle, and New Orleans, and she has been invited to speak on her creative practice at institutions including Adobe, Yale University, and the University of Southern California. Learn more about Isidor’s work at www. melisidor.com

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About the Exhibition
Through drawing, printmaking, collage, and mixed media, the exhibition considers paper as a material that carries memory, labor, and cultural continuity. Paper absorbs gesture records pressure and hesitation, time, revision and return, while holding traces of the hand and the persistence of ideas. Centering practices shaped by embodied knowledge and movement across place, the exhibition affirms paper not as a provisional surface, but as one that remembers and endures.
Curated by HCX fellow Yvena Despagne and Executive Director Régine M. Roumain.

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Learn more about the exhibition and artists here »
Join the artists & curators for other activations taking place as part of this exhibition »

Vizyon Atistik | CLOSING RECEPTION | What Paper Remembers: Marks, Memory and Labor
2026-06-07 16:00 - 19:00 | Haiti Cultural Exchange, 35 Lafayette Ave, Brooklyn, NY, 11217, United States
Join HCX for the closing reception of What Paper Remembers: Marks, Memory and Labor on June 7, 2026, presented by Haiti Cultural Exchange, Vizyon Atistik.
Sunday, June 7
4–7pm
Haiti Cultural Exchange
35 Lafayette Ave. Brooklyn, NY
On view from April 25 through June 7
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About the Exhibition
Through drawing, printmaking, collage, and mixed media, the exhibition considers paper as a material that carries memory, labor, and cultural continuity. Paper absorbs gesture records pressure and hesitation, time, revision and return, while holding traces of the hand and the persistence of ideas. Centering practices shaped by embodied knowledge and movement across place, the exhibition affirms paper not as a provisional surface, but as one that remembers and endures.
Curated by HCX fellow Yvena Despagne and Executive Director Régine M. Roumain.
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Featured Artists
Sally Yolaine Binard | Ani Brutus | Jennica Drice | Mel Isidor | Nathalie Jean-Baptiste | Rejin Leys | Julie Rouzier Mevs | Vané Russo
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Learn more about the exhibition and artists here »
Join the artists & curators for other activations taking place as part of this exhibition »

Lakay Foutbòl | World Cup 2026 | Haiti vs. Scotland
2026-06-13 19:00 - 22:00 | Haiti Cultural Exchange, 35 Lafayette Ave, Brooklyn, NY, 11217, United States
HCX is HQ to watch Haiti’s national team Les Grenadiers bring us to World Cup victory!

Hosted in collaboration with Maison Demar, this series of watch parties will feature summer evening kick-backs with cold drinks, great vibes, exclusive product releases by Haitian fashion designers and lifestyle brands.
Grenadye Alaso!

Saturday, June 13: Haiti vs. Scotland
Doors open at 7pm | Kick off at 9pm
Location: HCX, 35 Lafayette Ave Brooklyn, NY 11217

RSVP on Eventbrite & grab exclusive add-ons while availability lasts! »

Join Us for More Watch Parties
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Friday, June 19: Haiti vs. Brazil
Hosted in collaboration with Rooftop Films & Council Member Chi Ossé
Event start TBA | Kick off at 9pm | NO RSVP NEEDED
Location: Von King Park, 670 Lafayette Ave, Brooklyn, NY 11216
Wednesday, June 24: Haiti vs. Morocco
Doors open at 4pm | Kick off at 6pm
Location: HCX, 35 Lafayette Ave Brooklyn, NY 11217

Lakay Foutbòl | World Cup 2026 | Haiti vs. Brazil
2026-06-19 19:00 - 22:00 | Haiti Cultural Exchange, 35 Lafayette Ave, Brooklyn, NY, 11217, United States
HCX is HQ to watch Haiti’s national team Les Grenadiers bring us to World Cup victory!

Hosted in collaboration with Maison Demar, this series of watch parties will feature summer evening kick-backs with cold drinks, great vibes, exclusive product releases by Haitian fashion designers and lifestyle brands.
Grenadye Alaso!

Friday, June 19: Haiti vs. Brazil
Hosted in collaboration with Rooftop Films & Council Member Chi Ossé
Event start 12pm | Kick off at 8:30pm | NO RSVP NEEDED
Location: Von King Park, 670 Lafayette Ave, Brooklyn, NY 11216

Join Us for More Watch Parties
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Saturday, June 13: Haiti vs. Scotland
Doors open at 7pm | Kick off at 9pm
Location: HCX, 35 Lafayette Ave Brooklyn, NY 11217
RSVP Required
Wednesday, June 24: Haiti vs. Morocco
Doors open at 4pm | Kick off at 6pm
Location: HCX, 35 Lafayette Ave Brooklyn, NY 11217
RSVP Required

RSVP on Eventbrite & grab exclusive add-ons while availability lasts! »

On View: 2025 Lakou NOU Culminating Expo
2026-06-21 - 2026-07-05 | kafou gallery, 1120 Washington Avenue, Brooklyn, NY, 11225, United States
A week-long exhibition featuring the culmination of work from the Lakou NOU 2025 Artists-In-Residence.

On View
Sunday, June 21 – Sunday, July 5, 2026
Kafou Gallery
1120 Washington Ave 2nd floor
Brooklyn, NY 11225
Gallery Hours
Thursday, June 25 6–9pm
Friday, June 26 6–9pm
Saturday, June 27 12–6pm
Sunday, June 28 12–6pm
Thursday, July 2 6–9pm
Friday, July 3 6–9pm
Sunday, July 5 12–6pm

Hosted & Curated by Haiti Cultural Exchange and Kafou Gallery
The 2025 Lakou NOU Culminating Expo highlights four expressive and collaborative projects that seek to empower, understand, and archive the Haitian experience. This cohort of artists explore core themes of care, familial connection, and the Haitian community’s relationship to their homeplaces and the natural world. Lakou NOU artists-in-residence Bo Dautruche, Georgie Exinord, Cici Osais, and Zarita Zevallos welcome us into a dynamic experience of oral history, creative storytelling, and visual art installations.
This free event and week-long exhibition presents the artists’ work in conversation with each other, highlighting their distinct approach to unpacking stories and approaches to cultural preservation in Brooklyn.
Unlike traditional artmaking, where an artistic creation amplifies a sole perspective, Lakou NOU residents generated their projects collaboratively with community members, providing creative outlets to convey inner experiences and share histories that are rarely shared or often under-presented.
Established in 2016, Haiti Cultural Exchange’s Lakou NOU artist residency program provides artists of Haitian descent with the opportunity to create and present new work by connecting their skills and talents to historically underserved Brooklyn neighborhoods, home to generations of Haitians and Haitian-Americans: Crown Heights, Canarsie, East Flatbush, and Flatbush. Lakou NOU artists develop collaborative community engagement projects that address neighborhood issues and highlight community assets. Artists in residence received individualized mentorship from HCX staff and interacted with each other as a cohort through discussion and support around topics relevant to Lakou NOU projects. HCX-facilitated additional professional development workshops and exchanges with a consortium of community stakeholders and creative placekeeping professionals.
Join us for the Expo Showcase on Sunday, June 21, 2026 from 2-6pm.
Details here »
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This program is made possible in part by the Jerome Foundation.

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Artists Project Descriptions
Bo Dautruche, East Flatbush
Bo’s project “anvan ou bliye//before it’s too late…” moved freely between writing, critique, strategy, research, and embodied practices to explore death and grief as it pertains to Black life. Her project sought to (re)discover our relationships to and with transitions and endings. What does death and grief look like for us under the oppressive systems we wish to liberate ourselves from? Understanding the many reasons why this could be a tender subject, Bo and a myriad of creative workshop collaborators worked together to remind people what real community may feel like – where we could take off our masks, where we could hold each other, where we could really talk to each other, where we could process things in real time with each other, and build, learn, and exchange.
This culminates in her expo work focused on witnessing, not as judgement or exploitation or extraction or burdening, but as connection and ritual that honor both our life and death. Her altar installation welcomes the community to let go of what they may need in order to feel seen, either through physical objects they bring or reflecting on what is needed to let go of in order to show up for the community.

Georgie Exinord, Flatbush
Georgie’s “Good Daughter Project” sprang from one constant: her fervent belief that your stories are already within you. During her residency, Georgie hosted a series of writing exercises, memory work, drawing prompts, and collective dialogue workshops that sought to capture memory and language earned through the mosaic of one’s lived experience.
What does it mean to be a good daughter? What unfolded through these workshops were slippages of tenderness, unexpected intimacies, and moments of recognition between women who began as strangers. Together, participants explored the emotional interiority of Haitian and Caribbean diasporic daughters, particularly the invisible labor, parentification, responsibility, and survival embedded within first-generation daughterhood.
Her archive and final exhibition work serve as an offering: an account of our lives in our own words, preserved so those who come after us may know we were here and that we felt deeply.

Cici Osais, Crown Heights
Cici’s project “Nou kominike ak twal” (We communicate through cloth) is inspired by the communal art-making practices of the Black diaspora. It is rooted in an understanding of artmaking as something we are all capable of, and that’s best as a collective experience. Cici activated this idea to foster a space for individuals to create in unison, where works became parts of a whole.
Across the Diaspora cloth is used to hold stories. Within her textile practice, Cici uses techniques from her parents’ and grandparents’ motherlands: Haiti, Congo, Nigeria, and Black America. Because most of these places are out of reach and these traditions passed down orally, Osais have spent many years learning and researching these methods. I owe my craft to the archives and people who were willing to share this knowledge with me, and see it as my duty to continue passing along all that I have learned.
Through natural dyeing workshops in local community gardens focused on conversation and connection, neighbors learned new ways of communicating creatively and were able to contribute textiles to a selection of Cici’s culminating works that will live in the gardens where they were born.

Zarita Zevallos, Canarsie
Zarita’s residency was centered on introducing participants to both new material and new ways of creating. She used the novel Masters of the Dew by Jacques Roumain as a conceptual foundation while also introducing participants to beginner-friendly cameras and film photography as an accessible creative medium.
Using the immediate environment of Canarsie, Zevallos’ workshops explored themes of Haitian identity, community labor, displacement, and the importance of reconnecting with one’s roots by drawing parallels between the experiences in Masters of the Dew and contemporary Haitian realities.
What revealed itself were deeply personal and intergenerational ties to philosophical, timeless, and keenly relevant experiences that remain in play today. Creatively building alongside the work of her workshop participants, Zevallos will capture some of the powerful spaces for remembrance, dialogue, and cultural preservation through her installation work arriving at the culminating expo.

Lakou NOU Culminating Expo Showcase
2026-06-21 14:00 - 18:00 | kafou gallery, 1120 Washington Avenue, Brooklyn, NY, 11225, United States
Join us for an evening of conversation and celebration surrounding the culmination of work from the Lakou NOU 2025 Artists-In-Residence.

Expo Showcase
Sunday, June 21
2-6pm
Kafou Gallery
1120 Washington Ave 2nd floor
Brooklyn, NY 11225

Hosted & Curated by Haiti Cultural Exchange and Kafou Gallery
The 2025 Lakou NOU Culminating Expo highlights four expressive and collaborative projects that seek to empower, understand, and archive the Haitian experience. This cohort of artists explore core themes of care, familial connection, and the Haitian community’s relationship to their homeplaces and the natural world. Lakou NOU artists-in-residence Bo Dautruche, Georgie Exinord, Cici Osais, and Zarita Zevallos welcome us into a dynamic experience of oral history, creative storytelling, and visual art installations.
This free event and week-long exhibition presents the artists’ work in conversation with each other, highlighting their distinct approach to unpacking stories and approaches to cultural preservation in Brooklyn.
Unlike traditional artmaking, where an artistic creation amplifies a sole perspective, Lakou NOU residents generated their projects collaboratively with community members, providing creative outlets to convey inner experiences and share histories that are rarely shared or often under-presented.
Established in 2016, Haiti Cultural Exchange’s Lakou NOU artist residency program provides artists of Haitian descent with the opportunity to create and present new work by connecting their skills and talents to historically underserved Brooklyn neighborhoods, home to generations of Haitians and Haitian-Americans: Crown Heights, Canarsie, East Flatbush, and Flatbush. Lakou NOU artists develop collaborative community engagement projects that address neighborhood issues and highlight community assets. Artists in residence received individualized mentorship from HCX staff and interacted with each other as a cohort through discussion and support around topics relevant to Lakou NOU projects. HCX-facilitated additional professional development workshops and exchanges with a consortium of community stakeholders and creative placekeeping professionals.
Exhibition On View
Sunday, June 21 – Sunday, June 28, 2026
Gallery Hours
Thursday – Friday 6-9pm
Saturday 12-6pm
Sunday 12-6pm
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This program is made possible in part by the Jerome Foundation.

—
Artists Project Descriptions
Bo Dautruche, East Flatbush
Bo’s project “anvan ou bliye//before it’s too late…” moved freely between writing, critique, strategy, research, and embodied practices to explore death and grief as it pertains to Black life. Her project sought to (re)discover our relationships to and with transitions and endings. What does death and grief look like for us under the oppressive systems we wish to liberate ourselves from? Understanding the many reasons why this could be a tender subject, Bo and a myriad of creative workshop collaborators worked together to remind people what real community may feel like – where we could take off our masks, where we could hold each other, where we could really talk to each other, where we could process things in real time with each other, and build, learn, and exchange.
This culminates in her expo work focused on witnessing, not as judgement or exploitation or extraction or burdening, but as connection and ritual that honor both our life and death. Her altar installation welcomes the community to let go of what they may need in order to feel seen, either through physical objects they bring or reflecting on what is needed to let go of in order to show up for the community.

Georgie Exinord, Flatbush
Georgie’s “Good Daughter Project” sprang from one constant: her fervent belief that your stories are already within you. During her residency, Georgie hosted a series of writing exercises, memory work, drawing prompts, and collective dialogue workshops that sought to capture memory and language earned through the mosaic of one’s lived experience.
What does it mean to be a good daughter? What unfolded through these workshops were slippages of tenderness, unexpected intimacies, and moments of recognition between women who began as strangers. Together, participants explored the emotional interiority of Haitian and Caribbean diasporic daughters, particularly the invisible labor, parentification, responsibility, and survival embedded within first-generation daughterhood.
Her archive and final exhibition work serve as an offering: an account of our lives in our own words, preserved so those who come after us may know we were here and that we felt deeply.

Cici Osais, Crown Heights
Cici’s project “Nou kominike ak twal” (We communicate through cloth) is inspired by the communal art-making practices of the Black diaspora. It is rooted in an understanding of artmaking as something we are all capable of, and that’s best as a collective experience. Cici activated this idea to foster a space for individuals to create in unison, where works became parts of a whole.
Across the Diaspora cloth is used to hold stories. Within her textile practice, Cici uses techniques from her parents’ and grandparents’ motherlands: Haiti, Congo, Nigeria, and Black America. Because most of these places are out of reach and these traditions passed down orally, Osais have spent many years learning and researching these methods. I owe my craft to the archives and people who were willing to share this knowledge with me, and see it as my duty to continue passing along all that I have learned.
Through natural dyeing workshops in local community gardens focused on conversation and connection, neighbors learned new ways of communicating creatively and were able to contribute textiles to a selection of Cici’s culminating works that will live in the gardens where they were born.

Zarita Zevallos, Canarsie
Zarita’s residency was centered on introducing participants to both new material and new ways of creating. She used the novel Masters of the Dew by Jacques Roumain as a conceptual foundation while also introducing participants to beginner-friendly cameras and film photography as an accessible creative medium.
Using the immediate environment of Canarsie, Zevallos’ workshops explored themes of Haitian identity, community labor, displacement, and the importance of reconnecting with one’s roots by drawing parallels between the experiences in Masters of the Dew and contemporary Haitian realities.
What revealed itself were deeply personal and intergenerational ties to philosophical, timeless, and keenly relevant experiences that remain in play today. Creatively building alongside the work of her workshop participants, Zevallos will capture some of the powerful spaces for remembrance, dialogue, and cultural preservation through her installation work arriving at the culminating expo.

Lakay Foutbòl | World Cup 2026 | Haiti vs. Morocco
2026-06-24 16:00 - 22:00 | Haiti Cultural Exchange, 35 Lafayette Ave, Brooklyn, NY, 11217, United States
HCX is HQ to watch Haiti’s national team Les Grenadiers bring us to World Cup victory!

Hosted in collaboration with Maison Demar, this series of watch parties will feature summer evening kick-backs with cold drinks, great vibes, exclusive product releases by Haitian fashion designers and lifestyle brands.
Grenadye Alaso!

Wednesday, June 24: Haiti vs. Morocco
Doors open at 4pm | Kick off at 6pm
Location: HCX, 35 Lafayette Ave Brooklyn, NY 11217

RSVP on Eventbrite & grab exclusive add-ons while availability lasts! »

Join Us for More Watch Parties
—
Saturday, June 13: Haiti vs. Scotland
Doors open at 7pm | Kick off at 9pm
Location: HCX, 35 Lafayette Ave Brooklyn, NY 11217
Friday, June 19: Haiti vs. Brazil
Hosted in collaboration with Rooftop Films & Council Member Chi Ossé
Event start TBA | Kick off at 9pm | NO RSVP NEEDED
Location: Von King Park, 670 Lafayette Ave, Brooklyn, NY 11216

Records & Rhum Day Party with Patrice Espérant
2026-06-27 14:00 - 19:00 | Prospect Park Boat House, 101 East Dr., Brooklyn, New York, 11225
Join Patrice Espérant for an old school day party with vinyl sessions featuring Haitian vintage sounds and rhum. Ayiti cheri, vinyl is alive!
Haitian & French Caribbean Classics
70s · 80s · 90s
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RSVP is required for entry!
Additional admission will be available at the door until capacity is reached.
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Saturday, June 27, 2026
2–7pm
RSVP on Eventbrite while availability lasts! »

Mizik Ayiti! at Brooklyn Botanic Garden with Gashford Guillaume & Creole Fusion Ensemble
2026-07-09 19:00 - 20:00 | Brooklyn Botanic Garden, 990 Washington Avenue, Brookyln, NY, United States
Join Haiti Cultural Exchange at Brooklyn Botanic Garden on Thursday, July 9, 2026 for Mizik Ayiti! featuring Gashford Guillaume & Creole Fusion Ensemble.
Thursday, July 9, 2026
7–8pm
Brooklyn Botanic Garden
Plant Family Collection
990 Washington Avenue, Brooklyn, NY 11225
Gashford Guillaume & Creole Fusion Ensemble blend Haitian culture with jazz, soul, R&B, and world music vibes live at Brooklyn Botanic Garden. This is a night truly not to be missed!
Gashford Guillaume is a Brooklyn-based Haitian American drummer and bandleader living in a legacy of music. Leading his Creole Fusion Ensemble, Gashford brings together a dynamic group of musicians fusing Haitian grooves with jazz and soul. The evening features vocalist Marla Roy, a Haitian American artist known for her powerful, heartfelt voice alongside special guest musicians.

Presented in collaboration with the Brooklyn Botanic Garden.
Free with Garden admission.
Click here to purchase tickets for the Brooklyn Botanic Garden »

An n Pale with Paul Beaubrun | VERTIÈRES Album Listening Party
2026-08-01 18:00 - 21:00 | Haiti Cultural Exchange, 35 Lafayette Ave, Brooklyn, NY, 11217, United States
Join us for the first listening party of the album release tour! Hosted by Haiti Cultural Exchange & Rhum Barbancourt. Paul Beaubrun brings his highly anticipated album VERTIÈRES to HCX for the first listening party of the album release tour!
Paul will treat us to an acoustic set of select songs from his newest album VERTIÈRES, share a special screening of the album’s trailer and join HCX Executive Director Régine M. Roumain in conversation about his work and latest project.
Savor the night with hors d’oeuvres and specialty cocktails provided by Rhum Barbancourt. Paul Beaubrun’s latest album VERTIÈRES is a transformational album and cultural movement inspired by Haiti’s revolutionary victory. Rooted in the Battle of Vertières–Haiti’s historic battle on November 18, 1803 against France, leading to Haiti’s independence–it brings together ancestral memory, spiritual awakening, and modern music to open a new chapter for Haitian art.
VERTIÈRES is a deeply personal journey from heartbreak to spiritual sovereignty. Through facing an inner war, the artist discovers self-mastery, discipline, and personal power. This is not a story about defeating others, but about taking full responsibility for one’s life, choices, and existence.
By merging the personal and the collective, VERTIÈRES reflects a central truth of Haitian history: true revolution begins within. VERTIÈRES goes beyond an album, it serves as a cultural platform grounded in legacy, presenting Haiti’s new sound to the world.
Sponsored by Rhum Barbancourt

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Saturday, August 1, 2026
6–9pm
RSVP is required for entry.
$20 Suggested Donation
Entry based on capacity. Additional admission will be available at the door until capacity is reached. Your donation supports the mission of Haiti Cultural Exchange, the home for Haitian arts & culture in New York City.
RSVP on Eventbrite »
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About Paul Beaubrun

Paul Beaubrun is a Haitian musician and songwriter known for his fusion of traditional Haitian music with elements of rock, blues, afrobeat, and reggae. Raised in Port-au-Prince and the son of the Grammy-nominated band Boukman Eksperyans, music has shaped his life from an early age. After moving to New York City as a youth, he expanded his musical influences while remaining deeply rooted in his Haitian heritage.
A gifted guitarist, multi-instrumentalist, and vocalist, Paul blends Haitian Creole, French, and English into a distinctive sound that explores identity, resilience, and culture. His work has earned recognition both in Haiti and internationally.
Paul has collaborated and performed with artists including Ms. Lauryn Hill, Maxwell, Michael Brun, Arcade Fire, Jackson Browne, Sheryl Crow, and Bob Weir. He has appeared at renowned venues and festivals including Radio City Music Hall, The Beacon Theatre, Massey Hall, The Ryman Theatre, the Montreal Jazz Festival, Coachella, Festival International Nuits d’Afrique, Le Trianon in Paris, Paleo Festival, and Afropunk.
His career highlights include receiving the UNESCO-Aschberg Artist in Residency Scholarship, topping the iTunes World Music chart with Vilnerab, earning a Dora Award nomination for Espwa/Espoir, performing at the United Nations, receiving the Coup de Coeur award for his music video “Naissance,” being featured on the cover of The Haitian Times, and being named one of the Haitian Roundtable’s “100 Most Influential People in the Haitian Community.” He also contributed to Let The Rhythm Lead: Haiti Song Summit Vol. 1 alongside Jackson Browne, Habib Koité, Jenny Lewis, Raúl Rodríguez, Jonathan Russell, Jonathan Wilson, and members of Lakou Mizik.
Beyond his music, Paul is an advocate for social and environmental causes, partnering with organizations including the Lambi Fund of Haiti, Haiti Cultural Exchange, 350.org, Playing for Change, and Music Heals International. His work reflects a commitment to using music as a platform for cultural pride, resilience, and positive change.
Since 2022, Paul has been a touring member of Arcade Fire, joining the band’s WE tour and appearing on Saturday Night Live, The Tonight Show Starring Jimmy Fallon, and stages around the world.
Website »
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Main feature photos by Jean Oscar | Photo of Paul Beaubrun in bio by Vladim Vilain
