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SUMMARY:Haiti Cultural Exchange at Fall Harvest Festival presents Konbit: Agricultural Dances of Harvest in Haiti
DESCRIPTION:Konbit: Agricultural Dances of Harvest in Haiti by Nadia Dieudonné & Feet of Rhythm will take you on a journey to the countryside of Haiti where we will explore the rich traditions of Konbit\, the rural collective organizing practice of a community coming together toward a shared goal. Through live demonstrations and group participation\, families will discover how Haitian rural life weaves the culture of music and dance to agricultural work and harvest celebration.\nLearn about three traditional dances associated with agricultural work and community celebration: Djouba\, Kontredans\, and Chay o Pye. Through their movements\, rhythms\, and cultural significance\, audiences will experience the spirit of cooperation and collective energy that defines Konbit. Explore the spiritual connection of the season’s lwa of many names––Azaka\, Kouzen\, and Ayizan––and the connections to earth\, marketplace and Konbit. The program will bring to life traditional agricultural foods\, tools\, and clothing worn in the countryside\, creating a deeper connection to the people\, practices\, and traditions at the heart of Haitian culture. \nThis interactive program invites audiences to learn\, dance\, discover\, and celebrate Haitian cultural heritage as participants gain a deeper understanding of how community\, agriculture\, spirituality\, music and tradition come together through Konbit. \n— \nPresenting in collaboration with the Brooklyn Botanic Garden as part of the Fall Harvest Festival. Celebrate the fall season surrounded by some of Brooklyn’s most fabulous foliage. Enjoy live music\, hands-on activities for families\, and more. Come dressed in your best flannel—or a costume for an afternoon parade!\n \nFree with Festival Admission.\nLearn more and reserve tickets here » \n—\nABOUT THE ARTIST \nNadia Dieudonné is a seasoned choreographer\, performer and dance educator. By 12 years old\, Dieudonné was performing with well-known Haitian folk singer and community activist  Myriam Dorismé. Nadia’s innate talent as a Haitian dancer grew stronger in 1990\, as she began to travel back  to her homeland to research and study the origins\, purposes of Haitian dance and its connections to Africa. She  honed her skills by attending several Lakous (communities that preserve and practice specific Vodou ceremonies)  in the countryside and in reputable dance schools with esteemed dancers/teachers in Port-au-Prince\, and New  York. Dieudonné was also mentored by the Haitian dance icon Jean-León Destiné and worked with him for  many years as a performer and assistant instructor. Today\, Dieudonné is known globally as one of the best Banda dancers outside of Haiti. \nIn 1995\, her passion for dance led her to establish Nadia Dieudonné & Feet of Rhythm\, a Brooklyn-based  Haitian dance company specializing in theater performances with live instrumentation. In the founding of this  organization\, Dieudonné also created Feet of Rhythm Kids to include Haitian-American youths who are not  aware of nor exposed to the vibrant culture of Haiti. Through their performances and signature cultural program  called “Konbit\,” Feet of Rhythm has been educating the community through the performing arts for three  decades.
URL:https://haiticulturalx.org/event/haiti-cultural-exchange-at-fall-harvest-festival-presents-konbit-agricultural-dances-of-harvest-in-haiti/
LOCATION:Brooklyn Botanic Garden\, 990 Washington Avenue\, Brookyln\, NY\, United States
CATEGORIES:Community Collaborations
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DTSTART;VALUE=DATE:20261105
DTEND;VALUE=DATE:20261211
DTSTAMP:20261012T231530Z
CREATED:20261012T231530Z
LAST-MODIFIED:20261012T231530Z
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SUMMARY:Mizik Ayiti! Residency Late Fall Series | Bonga & Sanba Kebyesou Danlè
DESCRIPTION:Join HCX on Thursday nights for the second edition of the Mizik Ayiti! Residency Series. The Late Fall residency will be held by Bonga Jean Baptiste & Sanba Kebyesou.\nHeralded for their skill as musicians\, educators\, and culture bearers\, Bonga and Kebyesou Danlè maintain the power of Haitian culture held in the tanbou. With a wide-ranging repertoire of Haitian traditional rhythms\, they have revitalized the rasin mizik movement through their many years on stage. \nBonga and Kebyesou are founding members of the band Foula. Their name\, originating from Congo and meaning “the breath of life\,” now feels almost prophetic as Foula breathes new life into Vodou music\, lifting it out of the purely ritual space and transforming it into a modern artistic language without stripping it of its sacred essence. \nBonga and Kebyesou’s music continues to be listened to\, sampled\, remixed\, and studied\, with their band Foula’s album Voodoo Jazz from Haiti now considered a classic\, included in international selections of “essential Haitian albums.” \nThis powerful duo with unique weekly performances and guest musicians awaits you for five nights this Fall. \n—\nDates & Tickets \nGet your tickets today and don’t miss out on these incredible performances!\nPerformance will take place weekly on Thursdays this Fall:\nNovember 5\, 12 & 19 and December 3 & 10\n6-9pm (45 min sets at 6:30 & 7:45) \nGet your tickets to one\, or all these performances\, here »\nTickets include a complimentary beverage.\nSpecial pop-up offerings from Bon Pâtés.\nLimited capacity\, RSVP strongly recommended. \n—\nHCX | Mizik Ayiti! Residency \nHCX positions this invitational residency as an opportunity to innovate and workshop concepts and works-in-progress\, showcase new work\, and build networks for artists’ future presentation (e.g. booking\, touring) at other cultural institutions and stages. \nRarely do artists receive a consistent opportunity to create and share in “real time”–to develop their ideas in a beta form\, experiment\, and refine amidst presenting publicly. Over the course of 6 weeks\, resident artists receive a platform to fine tune approaches\, activate jam sessions\, and explore sonic possibilities while developing relationships with their audiences. \nOn Thursday evenings\, artist-composers host unique sets joined by a rotation of guest artists and ensembles. Performances offer the opportunity to showcase new work and workshop arrangements across the musical landscape\, from traditional genres reverberating the strength of the tanbou to the contemporary sound like fusion jazz and electronic music carrying Haitian vibration into the future. \n— \nAbout Bonga Jean-Baptiste \nGaston Jean-Baptiste\, known as Bonga\, is a musical virtuoso who has been performing and studying traditional Haitian drum\, dance and song since the age of seven. He began playing drums in his family’s peristil in his hometown of Croix-des-Mission in La Plaine\, an area of Haiti known for culture and history. \nBonga is regarded as a master of the Afro Haitian drum\, sought-after for his extensive repertoire of pan-African rhythms. A dynamic performer\, accompanist\, session player and educator\, Bonga works on stage\, in the recording studio\, and in educational settings. He is one of the few drum experts and craftsmen outside of Haiti who continues to build traditional drums using techniques that are centuries old. \nAs a core member of the seminal Haitian roots bands\, Boukman Eksperyans and Foulà\, Bonga was invited to the U.S. in the ’90s when musicians were becoming a strong voice for the Haitian people. Since then\, Bonga has continued to play solo and in ensemble and at numerous worldwide venues. He is a featured performer with Peter Yarrow\, Grace Jones\, Dan Zanes and Urban Tap\, to mention a few. His drums opened the NY premiere of the Rolling Stones “Voodoo Lounge” tour\, and he is prominently featured on recordings by Wyclef Jean and Salif Keita. \nBonga’s first CD\, Kanzo (2000)\, incorporates elements of jazz\, blues\, and funk to create a dynamic version of mizik rasin. The recording features Lou Reed\, bassist Fernando Saunders\, and trumpeter Frank London. Bonga’s second CD\, Ayiti Afrika (2006)\, received critical acclaim. Featuring cellist Rufus Cappadocia\, multi-instrumentalist Peck Allmond and Guinean balafonist Famoro Dioubate\, Ayiti Afrika explores the African roots of Haitian music. \n—\nAbout Sanba Kebyesou Danlè \nJean-Raymond Giglio\, also known as Sanba Kebyesou Danlè (or simply Sanba Kebyesou)\, is one of the pioneers of the Vodou Jazz and Rasin movement out of which come bands like Boukman Eksperyans\, Boukan Ginen\, and others. His performance history is organic\, generative and has brought him to the stage to accompany musicians ranging from Tafa Mi-Soleil\, James Germaine\, Pauline Jean\, and countless others. \nThe story of Sanba Kebyesou and Foula begins in 1978\, in a Haiti caught between political tensions and a cultural effervescence searching to reclaim its roots. A group of young musicians\, led by Jean-Raymond ”Sanba Kebyesou” Giglio and Wilfrid “Tido” Lavaud\, sensed that within the ancestral rhythms of Haiti lay a force worth rediscovering. \nGiglio and Lavaud began by traveling through villages\, attending Vodou ceremonies\, recording rhythms\, observing dances\, and listening to stories. At that time\, they were closer to ethnomusicologists than performers\, fascinated by how Petwo\, Rada\, Banda drum patterns and vaksin — those bamboo or metal trumpets — could tell the history of a people without uttering a single word. In 1981\, after years of documentation\, they decided to transform this knowledge into a band. \nFoula was born as a sonic laboratory\, a space where Vodou tradition was preserved intact\, yet opened toward modern harmonies. They were soon joined by Chico Boyer\, a bassist and vocalist with a rare melodic-rhythmic sensitivity\, Gaston Bonga Jean-Baptiste\, one of the most important percussionists of his generation\, and Thurgot Theodat\, the saxophonist who would become the voice of air in a music dominated by earth and fire. \nIn 1993\, the band released the album Foula\, which quickly became a landmark album released by Blue Vision in Germany and carried their music even further. Today\, the album is considered one of the finest examples of the fusion between Vodou and jazz\, a record that influenced entire generations of artists\, from rasin musicians to explorers of world jazz. \nFoula was among the first groups to transform Vodou into a contemporary artistic language\, paving the way for bands such as Boukman Eksperyans\, RAM\, Ayibobo\, and Lakou Mizik. At a time when many rara groups were disappearing or modernizing superficially\, Foula managed to preserve the essence of tradition and pass it on to a new generation.
URL:https://haiticulturalx.org/event/mizik-ayiti-residency-late-fall-series-bonga-sanba-kebyesou-danle/
LOCATION:Haiti Cultural Exchange\, 35 Lafayette Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:Mizik Ayiti! Residency Series
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DTSTART;TZID=America/New_York:20261108T150000
DTEND;TZID=America/New_York:20261108T170000
DTSTAMP:20261016T181534Z
CREATED:20261016T181534Z
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SUMMARY:VIZYON ATISTIK | Sound\, Archive\, and Cyanotype | Workshop with Jennica Drice
DESCRIPTION:Artist Jennica Drice leads this hands-on session showing how sound can be made visible through cyanotype. Participants will create unique spectrogram images derived from Lomax’s 1936-37 recordings from Haiti using the techniques Drice used to create her own piece for the exhibition\, Legba Across.\nCyanotype is one of the earliest photographic printing processes\, using light and chemistry to produce striking Prussian blue images.  \nNo prior experience needed. \nAll materials provided. \nRegister for the Workshop Here » \nRegistration includes a complimentary beverage & light refreshments.\nLimited capacity\, RSVP required. \nSunday\, November 8\, 2026\n3–5pm\nHaiti Cultural Exchange\n35 Lafayette Ave. Brooklyn\, NY \nThis event is part of the Vizyon Atistik public programming for Rasin San Bout | Roots Without End: Artists in Dialogue with Sounds of Haiti from the Alan Lomax Archive\, on view until November 15\, 2026. \n—\nAbout the Exhibition \nRasin San Bout | Roots Without End: Artists in Dialogue with Sounds of Haiti from the Alan Lomax Archive features works by contemporary Haitian artists responding to selections from the 1930s Haiti collection of the Alan Lomax Archive\, stewarded by the Association for Cultural Equity.  \nFrom textiles to film\, the artists selected evoke both personal and resonant responses to the recordings that most spoke to them — from lullabies to Rara\, from the sacred to the Konbit. The exhibition will feature curated pairings of recordings and artwork\, connecting their modes of communion and communication over time and place. \nLearn more about the exhibition and artists here»  \nJoin the artists & curators for other activations taking place as part of this exhibition \n—\nAbout The Artist \nJennica Drice | Website \nJennica Drice is a Brooklyn-based textile artist and first generation Haitian American\, raised in Port-au-Prince\, Haiti. Her practice explores how identity is carried\, altered\, and reconstructed across displacement\, informed by her own hyphenated experience between Haiti and the United States. Working primarily in blue through cyanotype and indigo\, her work draws from personal and communal histories to explore memory\, migration\, and cultural inheritance. \nShe has exhibited across New York City and teaches workshops in cyanotype and natural dyeing.
URL:https://haiticulturalx.org/event/vizyon-atistik-sound-archive-and-cyanotype-workshop-with-jennica-drice/
LOCATION:Haiti Cultural Exchange\, 35 Lafayette Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:Vizyon Atistik,Workshop
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DTSTART;TZID=America/New_York:20261110T180000
DTEND;TZID=America/New_York:20261110T200000
DTSTAMP:20261020T203855Z
CREATED:20261020T203718Z
LAST-MODIFIED:20261020T203855Z
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SUMMARY:Salon d’Ayiti: A Living Tribute to René Depestre
DESCRIPTION:Haiti Cultural Exchange and The Center for Fiction collaborate to celebrate the work & living legacy of Haitian author René Depestre.\n\n\n“The real conversation between spirit and flesh most likely takes place in some undefined realm\, a place neither here nor there\, where the soul pounds into the body—or flees the body—in a way that only some among the living can fully understand.” \n—Edwidge Danticat on René Depestre \n  \nThis evening at The Center for Fiction will feature a discussion with the English translator of his work\, Yale University professor Kaiama L. Glover\, renowned author Edwidge Danticat\, and a staged reading with special guests. \n  \nJoin HCX directly after for a Salon d’Ayiti Nightcap in their space at 35 Lafayette Ave (map »).  \nHaitian author René Depestre is one of the most important voices of twentieth-century world literature. Depestre was born in Jacmel\, Haiti\, on August 29\, 1926. His vast corpus includes works of poetry\, prose fiction\, literary criticism\, and political essays. A peer of and collaborator with such influential political and literary figures as Aimé Césaire\, Jacques-Stephen Alexis\, Pablo Neruda\, Jorge Amado\, and André Breton\, Depestre has engaged with the politics and aesthetics of Negritude\, Marxism\, social realism\, and Surrealism\, among other major twentieth century phenomena\, over the course of a career that has spanned more than half a century. \nHaving lived and written through significant moments in Haitian\, New World\, and Pan African history––from the overthrow of Haitian dictator Elie Lescot in 1946\, to the first Pan African Congress in Paris 1956\, to a struggle with Haiti’s François “Papa Doc” Duvalier in 1957\, to collaboration with Cuban revolutionary Che Guevara and a fraught relationship with Fidel Castro in the 1960s and 70s––René Depestre has been uniquely placed to narrate how the entirety of the Americas and Europe are implicated in Haiti’s past and present reality. \nDepestre’s distinct style is at its best in such timeless works as Hadriana dans tous mes rêves [Hadriana in All My Dreams]\, Le Mât de Cocagne [The Festival of the Greasy Pole]\, and Un arc-en-ciel pour l’Occident chrétien [A Rainbow for the Christian West]\, among other major publications\, many of which have been awarded prestigious literary prizes\, including the Prix Goncourt de la nouvelle\, the Prix Renaudot\, the Prix Guillaume Apollinaire\, and the Prix Carbet de la Caraïbe et du Tout-Monde \n\nRSVP on Eventbrite while availability lasts! »  \n—\nAbout the panel \n \nKAIAMA L. GLOVER  \nKaiama L. Glover is a translator and scholar of Black Studies\, French and Literary Studies. She is a professor at Yale University in the Faculty of Arts and Sciences. Glover’s research\, writing\, and teaching are situated at the intersection of French\, francophone\, Caribbean\, and Haitian literary studies. Her work explores phenomena of border-crossing\, marginality\, gender\, and canon-formation\, querying––through rigorous textual study––the shifting categories of ‘center’ and ‘margins’ as they are constituted across the postcolonial Afro-Americas. Her work has been supported by fellowships at the New York Public Library Cullman Center\, the Columbia Institute for Ideas and Imagination in Paris\, the PEN/Heim Foundation\, the National Endowment for the Arts\, the National Endowment for the Humanities\, and the Mellon Foundation. She has translated several works of fiction and non-fiction from French to English\, notably Frankétienne’s Ready to Burst (2014)\, Marie Chauvet’s Dance on the Volcano (2016)\, René Depestre’s Hadriana in All My Dreams (2017)\, and Françoise Vergès’s The Wombs of Women: Capitalism\, Racialization\, Feminism (2019). Glover is an awardee of the PEN/Heim Foundation\, the National Endowment for the Arts\, the National Endowment for the Humanities\, and the Mellon Foundation. In addition to her published works\, Glover has contributed to the field of digital humanities through projects such as In the Same Boats\, which visualizes networks of “Caribbean\, Latin American\, African\, European\, and Afro-American intellectuals” in the 20th century. She also serves as a founding co-editor of archipelagos | a journal of Caribbean digital praxis. \n  \nEDWIDGE DANTICAT \nEdwidge Danticat is the author of several books\, including Breath\, Eyes\, Memory\, an Oprah Book Club selection\, Krik? Krak!\, a National Book Award finalist\, The Farming of Bones\, The Dew Breaker\, Brother\, I’m Dying\, Create Dangerously\, Claire of the Sea Light\, The Art of Death\, Everything Inside\, a Reese’s Book Club selection and National Book Critics Circle Awards winner. She is also the editor of The Butterfly’s Way: Voices from the Haitian Dyaspora in the United States\,  Best American Essays 2011\,  Haiti Noir\, and Haiti Noir 2. She has written seven books for children and young adults: Anacaona\, Behind the Mountains\, Eight Days\, The Last Mapou\, Mama’s Nightingale\, Untwine\, My Mommy Medicine\, and a travel narrative\, After the Dance. Her memoir\, Brother\, I’m Dying\, was a 2007 finalist for the National Book Award and a  2008 winner of the National Book Critics Circle Award for autobiography.  She is a 2009 MacArthur Fellow\, a 2018 Ford Foundation  “Art of Change” fellow\, the winner of the 2018 Neustadt International Prize\, the 2019 St. Louis Literary Award\, the 2011 Bocas Nonfiction Prize and 2020 Bocas Fiction Prize\,  the 2020 Vilcek Prize for Literature\, a 2020 United States Artists Fellow\, a two-time winner of The Story Prize\, and the 2023 PEN/Malamud Award for Excellence in the Short Story.  Her essay collection\, We’re Alone\, will be published in September 2024. She teaches at Columbia University.
URL:https://haiticulturalx.org/event/salon-dayiti-a-living-tribute-to-rene-depestre-2/
LOCATION:The Center For Fiction\, 15 Lafayette Avenue\, Brooklyn\, New York\, 11217
CATEGORIES:Salon d'Ayiti
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261114T140000
DTEND;TZID=America/New_York:20261114T160000
DTSTAMP:20261006T220154Z
CREATED:20261006T191259Z
LAST-MODIFIED:20261006T220154Z
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SUMMARY:Ti Atis Second Saturdays: Lakay Through Your Lens: Photography\, Storytelling\, and Collage
DESCRIPTION:In this two-hour interactive workshop\, Mélissa Baptiste and Chantal Baptiste of MC Arts Collective will lead little artists through an engaging exploration of identity and community through photography\, storytelling\, and collage!\nParticipants will learn basic photography concepts and then have a portrait taken with an instant camera during the workshop. Using their instant portraits as the centerpiece\, attending children will create mixed-media collages incorporating colors\, patterns\, images\, and drawings of their choosing. To complete their creations\, participants will create a short story or caption to share what “lakay\,” the Haitian Creole word for home\, means to them. \nThe workshop will finish with a spontaneous gallery walk where participants can display their artwork and share their stories. Each young artist will leave with a personalized piece that celebrates identity\, creativity\, and connection to Haitian culture! \nThis session of Ti Atis is made possible with support from the Diaspora Community Services HRI project. \nSaturday\, November 14\, 2026\n2-4pm\nBrooklyn Children’s Museum\n145 Brooklyn Ave\, Brooklyn\, NY 11213 \n— \nAttendance is free with museum admission. Plus\, as a special offer for the HCX community\, the Brooklyn Children’s Museum is offering FREE admission for 35 people!\n\nLimit 3 tickets per family. (Tickets will be held at the counter on the day of.) Spaces limited. \nRSVP while availability lasts! \nIf free HCX Community RSVP is no longer available on this page\, please purchase a ticket to the Brooklyn Children’s Museum here »  \n— \nArtist Bio \nMC Arts Collective\, Inc. is a nonprofit founded by Mélissa Baptiste and Chantal Baptiste. Its mission is to expand access to arts education and enrich youth and communities through creativity. The organization uses the arts as a tool for learning\, cultural expression\, storytelling and connection while creating inclusive spaces where young people can explore their identities and develop confidence. Mélissa is a Haitian photographer and visual storyteller with more than a decade of experience. Chantal is an educator with more than 40 years of teaching experience in Haiti and the United States\, including art among her taught subjects. Together\, they integrate education and creative expression into culturally meaningful experiences that encourage young people to discover the transformative power of the arts. \n— \nAbout Ti Atis \nTi Atis returns to the Brooklyn Children’s Museum for a new season of interactive youth and family programming! Ti Atis (Little Artists) engages youth of Haitian descent and their peers with Haitian history and heritage via the arts\, giving young people the tools to build an inclusive and culturally informed future as they learn about diverse art forms from professional Haitian artists.  \nMark your calendars! Happening on the second Saturday of every month from November 2026 to May 2027. Stay tuned for the full lineup of teaching artists.
URL:https://haiticulturalx.org/event/ti-atis-second-saturdays-lakay-through-your-lens-photography-storytelling-and-collage/
LOCATION:Brooklyn Children’s Museum\, 145 Brooklyn Avenue\, Brooklyn\, New York\, 11213
CATEGORIES:Ti Atis
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DTSTART;TZID=America/New_York:20261115T160000
DTEND;TZID=America/New_York:20261115T190000
DTSTAMP:20261014T155828Z
CREATED:20260909T174832Z
LAST-MODIFIED:20261014T155828Z
UID:19336-1794758400-1794769200@haiticulturalx.org
SUMMARY:Vizyon Atistik | CLOSING RECEPTION with 2Cent | Rasin San Bout | Roots Without End
DESCRIPTION:Join us for the closing night of Rasin San Bout | Roots Without End: Artists in Dialogue with Sounds of Haiti from the Alan Lomax Archive. \n2Cent arrives at the final evening of the exhibition for sonic fusion sets representing the soul of this exhibition. \nClosing Night Reception\nSunday\, November 15\, 2026\n4–7pm\nHaiti Cultural Exchange\n35 Lafayette Ave. Brooklyn\, NY \n  \nAbout 2Cent | Website \nDavidson Toussaint (2Cent) is a Haitian-American DJ\, music producer\, and cultural producer whose practice explores the intersection of electronic music\, Haitian cultural memory\, migration\, and collective gathering. He is the creator of Lakou House\, an evolving artistic framework connecting contemporary electronic music with Haitian rhythm\, storytelling\, and the communal spirit of the lakou. \nHis multidisciplinary background spans music production\, artist and tour management\, event production\, and cultural programming\, including work with Manito Nation\, Kolo\, Riva\, Tafa and Michael Brun through BAYO. Through projects such as GRIOT\, 2Cent explores how sound\, place\, visual language\, and performance can carry memory while creating new expressions of Haitian identity within global electronic culture. \nToussaint designed the soundscape for the Rasin San Bout exhibition. \n—\nAbout the Exhibition \nWe are excited to announce our forthcoming exhibition in collaboration with the Archive of Alan Lomax (1915-2002)\, a pioneering ethnomusicologist for over six decades. From 1936-1937\, at the urging of heralded African American anthropologist and author Zora Neale Hurston\, Lomax traveled to Haiti to record the nation’s music and rituals on behalf of the US Library of Congress. \nThe Association for Cultural Equity\, which stewards Lomax’s archive\, selected 40 essential recordings from the nearly 50 hours of recorded sound from Haiti. Building a conversation between the past and present\, HCX invited visual artists of Haitian descent to respond and connect their own work through an Open Call.  \nFrom textiles to film\, the artists selected evoke both personal and resonant responses to the recordings that most spoke to them — from lullabies to Rara\, from the sacred to the Konbit. The exhibition will feature curated pairings of recordings and artwork\, connecting their modes of communion and communication over time and place. \nCurated by Régine M. Roumain and Micaela Walker \n— \nFeaturing the work of:\nLaïssa Alexis • Love Aritus • Marie Casimir • Megan Delianne • Stephanie “Philomen” Dorceant • Jennica Drice • Sydney Rose Maubert • Christopher Mitchell • Marie Guilloto Stuppard • Zarita Zevallos \nSoundscape by Davidson Toussaint \nTechnical support provided by ENU Builds \n   \n— \nLearn more about the exhibition and artists here » \nJoin the artists & curators for other activations taking place as part of this exhibition » 
URL:https://haiticulturalx.org/event/vizyon-atistik-closing-reception-rasin-san-bout-roots-without-end-2/
LOCATION:Haiti Cultural Exchange\, 35 Lafayette Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:Vizyon Atistik
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